Youtube contest

8 minutes de bonheur kraftwerkien

Après deux décennies à entendre parler avec régularité - façon souvenirs du front - de ce concert de Tangerine Dream à la Cathédrale de Reims, je peux enfin l'écouter :



Je suppose que c'est moins bien sans les nems.

Peut être plus interessant (pas écouté, je suis toujours sur TD), Beefheart avec Zappa :



Et du Gong :

ZiGGy a écrit:

ce concert de Tangerine Dream à la Cathédrale de Reims

Je suppose que c'est moins bien sans les nems.

Je l'écoute avec indulgence parce que j'aime bien cette époque du groupe, celle de Phaedra. Assez envoutant, ce truc. On sent que Poppy Nogood/Rainbow in a curved air n'est pas loin.
Il manque quand même, par ordre croissant :
les nems, effectivement,
les pastilles de buvard,
la cathédrale de Reims,
l'année 1974.

Joli petit document sur les Who en studio en 1966, enregistrant "Picture of Lily"

Ratel l'avait postée il y a de cela quelques lunes, mais d't'façon on la postera jamais assez

ahahah ces brushing !
et ce son de guitare "salle de bain" qui devrait bien plaire à Eric

bon morceau cela étant...

superbe morceau des cocks !

Joe Jackson + Iggy Pop + Duke Ellington :

et puisqu'on parle des Kaleidoscopes (UK), voici un de leur passage à la TV française (avec Gainsbourg qui picole et drague au piano)

(et France Gall)

Pour reprendre le sujet Infidels, une version live de Jokerman pas loin d'être top :



Dommage que la prod de l'album ne soit pas dans ce goût là.

wiki a écrit:

Dylan spent the fall of 1983 recording demos and various songs at his home in Malibu, California. Rather than work alone, Dylan brought in a number of young musicians, including Charlie Sexton, drummer Charlie Quintana, and guitarist JJ Holiday. As Heylin notes, "this was Dylan's first real dalliance with third-generation American rock & rollers." These informal sessions set the stage for Dylan's first public performances since 1982.

Late Night with David Letterman had only aired since 1982, but the groundbreaking, critically acclaimed talk show was already a hit on late night television. After months of phone calls, Dylan agreed to appear on Late Night, and on March 22, 1984, he appeared with Quintana, Holiday (introduced by Letterman as "Justin Jesting"), and bassist Tony Marsico. Performing three songs with his band of post-punk musicians, Dylan delivered what many consider to be his most entertaining television performance ever. The poorly prepared but energetic combo first performed an unrehearsed version of Sonny Boy Williamson's "Don't Start Me To Talking", then a radically different arrangement of "License To Kill". The final song was a peppy, somewhat new-wave version of "Jokerman" that was to end with a harmonica solo. However, Dylan began playing before he realized the harp was in the wrong key, and the band had to riff endlessly while he stepped off-camera to retrieve the correct one. After the performance, Letterman walked onstage and congratulated Dylan, asking him if he could come back and play every Thursday. Dylan smiled and jokingly agreed.[15]

Dylan would soon dissolve his impromptu band after their one performance on Late Night, but within a few months, Dylan would begin his first tour since 1981, and from that compile his next record.

Et si seulement...





<-- Version de Lou Reed faute de trouver l'originale sur youtube.

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